On Leap of Faith: "Alien yet familiar, bizarre yet completely fascinating. Expanding, contracting, erupting, settling down, always as one force..." - Bruce Lee Gallanter, DMG

2

...As the Evil Clown story unfolds, we have some ensemble variations which immediately gel deeply and bear repeating. This was the third performance by this particular trio version of Turbulence in only a few months... (full liner notes below)

Turbulence (Cosmocentric Edition) - Eddy Flux

Evil Clown Headquarters, Waltham MA

3 October 2019

Turbulence is the horn players from the Leap of Faith Orchestra. We have performed a wide range of shows with ensembles ranging from duets to 8 or 9 players. Over half of our recordings are of ensembles comprised of horn players (many of whom play some of the Evil Clown percussion arsenal) but no drummer. Yuri, however, is on a number of the sets adding drum set to the horn band. We also had a special variation of this band, Turbulence Doom Choir, with PEK, Yuri and the tubas of Dave Harris and John Baylies and electronic signal processing until John split Boston for New York.

Here are some great links to Turbulence sets with Yuri at the drums!

Son of Cosmocentric

bandcamp      YouTube


The Conception of Sense (2019)
bandcamp      YouTube


Method of Fluxions (2018)  

bandcamp      YouTube

Flow Across Scales (2018)

bandcamp      YouTube


Vorticity (2018)
bandcamp      YouTube


Amorphous Solids (2018)
bandcamp      YouTube


Viscous Friction (2016)
bandcamp      YouTube



These are the subproject, Turbulence Doom Choir, with PEK, Yuri + tubas

Turbulence Doom Choir
Energy Cascades (2017)

bandcamp      YouTube

Angular Velocity Vectors (2017)

bandcamp
----YouTube
    Angular Displacement
   Matrix of the Frame
   Skew-Symmetric

Netherworld (2017)
bandcamp
YouTube:
    1:   2:   4:   8:   16:   32: 

Lava Flow (2016)
bandcamp      YouTube

Video Grabs

On Metal Chaos Ensemble: "... ​using unique strategies to yield densely active and eerily surreal music, an incredible excursion through experimental improvisation."   - Squidco website staff

Evil Clown 

PEK - alto, tenor & bass saxophones, clarinet & contralto clarinet, mussette, contrabassoon, alto flute, Russian wood flute, sheng, game calls, [d]ronin, hand chimes, orchestral chimes, glockenspeil, malletkat/moog subsequent, bronosaurus and tank bells, gongs, Tibetan bowls, kazoo, rachet, Ableton mix*​
Michael Caglianone - soprano, alto & tenor saxophones, sheng, game calls, wind siren, hand chimes, bronosaurus and tank bells, gongs, cymbells, glockenspiel, balafon, dan-mo, wood blocks, rattles​
Yuri Zbitnov - drums, orchestral chimes, Englephone, bronosaurus and tank bells, glockenspeil, Tibetan bowls, crotales, [d]ronin, malletkat/moog subsequent, kazoo


*Processed Samples from the Evil Clown Catalog and specially recorded at Evil Clown Headquarters

Review:

Leap of Faith Orchestra performs

Supernovae by PEK

by Karl  Ackermann, AllAboutJazz.com

Liner Notes by PEK

I formed Turbulence in 2015 as I started to assemble players for the Leap of Faith Orchestra. Turbulence, the extended horn section for the Orchestra (along with guests on other instruments), also records and performs as an independent unit. We have had over 20 albums on Evil Clown with greatly varied ensembles. The only musician on all of them is myself. The sessions range from an early duet with Steve Norton and Myself (Vortex Generation Mechanisms) to a 5 horn band with bass and two percussionists (Encryption Schemes) to four albums by the side project Turbulence Doom Choir which feature myself, multiple tubas, percussion, electronics and signal processing, among other settings.

This time, Turbulence is a trio with two horn players and a drummer. Sax player Mike Caglianone came to EC recently by way of a great Mission Creep show. He and I played really well with each other right off the bat, and I immediately recruited him for Evil Clown. Mike and I both have improvisation styles which feature a strong emphasis on phrasing: I’ve found that players with this approach are very easy to improvise with. Imitation, interlocking lines, motivic exchanges and other key improvisation techniques naturally flow from a phrasing perspective.

In the 90s, Yuri and I played with the great sax player Raqib Hassan in various settings, including Cosmocentric Trio (two saxes & drums). Of course, this is the same instrumentation as this new trio format, and during The Conception of Sense performance at Outpost 186, Yuri busted out the Sun Ra Saturn chant which was a staple of The Cosmocentric Trio! In Tribute to Raqib, we present Turbulence (Cosmocentric Edition) – Eddy Flux.

As the Evil Clown story unfolds, we have some ensemble variations which immediately gel deeply and bear repeating. This was the third performance by this particular trio version of Turbulence in only a few months.

PEK – 10/4/2019

Audio CD                       Evil Clown 9230

Turbulence (Cosmocentric Edition) - Eddy Flux
bandcamp:  streaming, downloads and CD mail Order

Eddy Flux - 1:10:48

Composer and multi-instrumentalist, PEK, set his sights on something bigger with the Leap of Faith Orchestra's Supernovae. The previous incarnation of the LOFO expands from the fifteen musicians on The Expanding Universe (Evil Clown, 2016) to twenty-one players on this new outing. Another noteworthy element of this project is PEK's use of Frame Notation where the score is seen in written descriptions and straight-forward symbols within Duration Bars. The system provides the musicians with immediate understanding of their own parts and the higher-level arrangement of the music. 

Supernovae consists of a single track composition running just under eighty minutes. The digital download includes a bonus track. Though the extended piece is not broken out by formal movements, there are clear delineations within the score. PEK's ensemble—not surprisingly—includes enough non-traditional and weird instruments to compete with a Dr. Seuss orchestra. Though they are not playing in a vacuum, that group of instruments dominates the first ten minutes before strings and reeds make themselves more clearly heard. Forty-five minutes in, we have the first case of prolonged melody, darker and more subdued than the overall tone of the first half. 

Supernovae gives way to free improvisation overlaying the melody. Eventually the piece introduces a brilliant percussion passage before it reintroduces the non-traditional music elements, but here in a more refined manner. As with all of PEK's compositions, there is—behind the scenes—a painstaking amount of organization that is not always evident in the listening. That is part of the beauty of this album; the non-traditional approach to instrumentation and the lack of adherence to Western structure continue to make the various iterations of Leap of Faith consistently interesting. And interesting look at the written score can be viewed at http://www.evilclown.rocks/lofo-supernovae-score.html.