On Metal Chaos Ensemble: "... ​using unique strategies to yield densely active and eerily surreal music, an incredible excursion through experimental improvisation."   - Squidco website staff

Evil Clown 

On Leap of Faith: "Alien yet familiar, bizarre yet completely fascinating. Expanding, contracting, erupting, settling down, always as one force..." - Bruce Lee Gallanter, DMG


Audio CD                                    Evil Clown 9277

Simulacrum - Hyperreality


Evil Clown Headquarters, Waltham MA

10 July 2021

​bandcamp streaming, downloads and CD mail Order

Audio CD                                    Evil Clown 9282
Simulacrum - Synesthesia


Evil Clown Headquarters, Waltham MA

2 September 2021

​bandcamp streaming, downloads and CD mail Order

Hyperreality  - 1:10:31

PEK -clarinet & contralto clarinet, tenor & bass saxophones, tarota, Christmas flute, spring boxes, chime boxes, [d]ronin, electric chimes, box bells, electric kalimba, lfo synth, theremin, korg ms-20, moog subsequent, prophet, syntrix, novation peak, gong, brontosaurus & tank bells, glockenspeil, crotales, almglocken, wood blocks, temple blocks, log drums, orchestral chimes, chimes, digital delay, looper
Bob Moores - Jackson electric guitar modded with extreme distortion circuit and kill switch, large bell pocket trumpet, cornet and flugelhorn with miked mutes through effects, mainstage, NLogPoly synth and ampkit on MacBook Air, Moog D emulator and Ampkit on iPad mini, multi-effects pedal, delay pedal and loop pedal, kracklebox electronic instrument, crank siren
Eric Woods - analog synthesis, chimes, gong, temple blocks
William Middlemiss Jr -  guitar, microfreak synthesizer
Reverend Grant Beale - guitar, MXR analog delay, electro harmonix freeze pedal, handwired fuzz/glitch, Michael Rucci made 16 step sequencer and maximal drone, bastl made granular synth


Leap of Faith Orchestra performs

Supernovae by PEK

by Karl  Ackermann, AllAboutJazz.com

Simulacrum - Recordings

Synesthesia  - 1:10:16

PEK - clarinet, contralto & contrabass clarinets, alto & tenor saxophones, piccolo oboe, bass flute, sheng, fog horn, glockenspiel, crotales, orchestral castanets, gongs, plate gong, finger cymbal, brontosaurus & tank bells, brake drums, Tibetan Bowls, log drums, wood blocks, almglocken, cowbells, daiko, spring boxes, chime rod boxes, electric chimes, [d]ronin, electric upright bass, lfo & frankenstein synths, moog subsequent, prophet, syntrix, novation peak, LinnStrument midi controlers, loop station, voice
Bob Moores - large bell pocket trumpet through zoom multi-effects pedal, electric guitar with various effects, MainStage soft-synths on Mac laptop, Moog D emulator on iPad, crackle box, contact microphone with effects, crank siren, electric upright bass, moog subsequent, prophet, syntrix, novation peak, LinnStrument midi controlers, voice
Eric Woods - analog synthesis

Joel Simches - real time signal processing, live to 2-track mix

Composer and multi-instrumentalist, PEK, set his sights on something bigger with the Leap of Faith Orchestra's Supernovae. The previous incarnation of the LOFO expands from the fifteen musicians on The Expanding Universe (Evil Clown, 2016) to twenty-one players on this new outing. Another noteworthy element of this project is PEK's use of Frame Notation where the score is seen in written descriptions and straight-forward symbols within Duration Bars. The system provides the musicians with immediate understanding of their own parts and the higher-level arrangement of the music. 

Supernovae consists of a single track composition running just under eighty minutes. The digital download includes a bonus track. Though the extended piece is not broken out by formal movements, there are clear delineations within the score. PEK's ensemble—not surprisingly—includes enough non-traditional and weird instruments to compete with a Dr. Seuss orchestra. Though they are not playing in a vacuum, that group of instruments dominates the first ten minutes before strings and reeds make themselves more clearly heard. Forty-five minutes in, we have the first case of prolonged melody, darker and more subdued than the overall tone of the first half. 

Supernovae gives way to free improvisation overlaying the melody. Eventually the piece introduces a brilliant percussion passage before it reintroduces the non-traditional music elements, but here in a more refined manner. As with all of PEK's compositions, there is—behind the scenes—a painstaking amount of organization that is not always evident in the listening. That is part of the beauty of this album; the non-traditional approach to instrumentation and the lack of adherence to Western structure continue to make the various iterations of Leap of Faith consistently interesting. And interesting look at the written score can be viewed at http://www.evilclown.rocks/lofo-supernovae-score.html.